I haven't done a Knit Along (KAL) for yonks, and in fact I don't think I have ever finished one really! This one attracted me because of its freeform, oddball nature. See Jane Thornley's site here to see what it is about, and while you are there, have a browse - even if you don't knit, or don't like stuff like hers, the site is a riot of colour and texture and FUN!!!
From top to bottom - the collection of yarns that I grabbed to make the freeform vest - mostly purples with touches of greens and other colours. And a variety of textures, too. I may not use them all, but I like to pick a palette and work from it, picking them out from the pile as I go.
The first couple of inches - a chenille yarn (from Lincraft I think - most of these yarns have been maturing in the stash for quite a while, and not many are complete balls) and moss stitch. Jane recommends moss stitch (only she calls in seed stitch) as good foundation stitch because it adds strength to the overall construction, and I have to say that I like that idea.
And then more progress. As you can see I moved on from the chenille yarn to a bit of leftover Lincraft Prism, to some stuff I picked up in the Bendigo Woollen Mills backroom years ago with a boucle thread in black and brightly coloured slubby stuff wound in with it. And in that picture you can barely see it, as I had only knitted about two rows, but now I am using remnants of a yarn I spun and dyed myself several years ago, which will make up the rest of the back. I am almost up to the neckline now and will post more progress pictures next week.
To see more creative spaces, please pop over here for a riot of colour and amusement.
From top to bottom - the collection of yarns that I grabbed to make the freeform vest - mostly purples with touches of greens and other colours. And a variety of textures, too. I may not use them all, but I like to pick a palette and work from it, picking them out from the pile as I go.
The first couple of inches - a chenille yarn (from Lincraft I think - most of these yarns have been maturing in the stash for quite a while, and not many are complete balls) and moss stitch. Jane recommends moss stitch (only she calls in seed stitch) as good foundation stitch because it adds strength to the overall construction, and I have to say that I like that idea.
And then more progress. As you can see I moved on from the chenille yarn to a bit of leftover Lincraft Prism, to some stuff I picked up in the Bendigo Woollen Mills backroom years ago with a boucle thread in black and brightly coloured slubby stuff wound in with it. And in that picture you can barely see it, as I had only knitted about two rows, but now I am using remnants of a yarn I spun and dyed myself several years ago, which will make up the rest of the back. I am almost up to the neckline now and will post more progress pictures next week.
To see more creative spaces, please pop over here for a riot of colour and amusement.