Fragments of Me

Rather than explaining this picture all over again, this is the artist statement I wrote to go with it:

FRAGMENTS OF ME

The original collage for this work consists of childhood photos, photos of my own daughter and niece and nephews, street maps of two of the most significant places I have lived, and the (present day) board outside the hospital where I was born.

Although I was reasonably happy with this collage and played around with some stitching ideas to use with it, I then decided that the composition was too static. While playing around with photo-editing software I attempted distorting the picture several times, and chose these three distortions to place side-by-side in a triptych.

It shows how our perceptions of ourselves as children are distorted in the real world, and those perceptions distort further as we get older and become parents ourselves. Different aspects of our lives take precedence at different times.

For me, family is a constant theme that informs how I live my life. The stitched border represents the gardens of all the places I have lived in and the domesticity that forms the bedrock of my life and relationships with others.

My grandmother’s charm bracelet completes the picture. Two of the charms (the sheep which she hung the wrong way round, and the flat iron) were makeweights that she put on to balance it out. The other charms are a St Christopher medal that belonged to one of her sons whose plane was shot down during WW2; a silver threepenny piece; and the navy badge worn by the other of her sons who was killed during the war, in the Battle of Crete.